Ignore that picture above. Just shows you what I spent the last few minutes wishing for… 😊

Last week, we met Ikenna – the bitter, egoist who’s ready to take Alice on a merry-go-round she has no idea she is about to go on. In her mind, she is about to get this job done, earn some cash and stop her mother from destroying her life. In Ikenna’s mind, he will let her tag along if only to get his annoyingly persuasive brother off his back, maybe the poke-nosy board of his company too, and his little sister…in fact, the whole world needs to get off his back!

How does he say it? Or not say it?

You know when they say, “silence is golden”. In screenwriting, it really is.

Mastering when to talk and when to stay silence will save you embarrassing scenes that are flat and one-dimensional. Let me whisper a secret into your ear: most times, you can tell a new writer by the length of the dialogue and how wordy the script is. Less is more. Really.

In fact, like in all forms of storytelling, the golden rule is “SHOW, DON’T TELL”.

What does this mean? It means that in certain scenes, you can get away with characters that say nothing, but do a lot of things. Consider this scene:


She opened the door, a big, confident smile plastered on her face and met…

Two perfectly dressed gentlemen on the ground, one astride the other, tackling each other with fists. She cleared her throat and they both turned – the one on top with his fisted hand poised, ready to deliver a blow on the other’s face.



She cocked her eyebrow, folded her arms and let her handbag drop to the floor. The man on top rolled his eyes, stood up and reluctantly pulled the other man up on his feet. She watched patiently as both of them straightened their clothes.


(dusting himself)

And you are…?


Alice. Alice Eno Henshaw.


From this short scene, you see more of drama; you get an idea of the characters of the three people in the scene. There is no need for Alice to scream at them or tell them who she was. By her actions, they would know. We know.

[bctt tweet="Think before you write. Ask – can I write this scene and show an action any other way without anyone speaking?" username="shadesofgenius"] How can I show an audience that a man is blind without showing the blind man’s shut eyes? How can you show an audience that a woman was sexually abused as a child without her talking at all? How can you show an audience who’s the boss in a room full of ten people without an introduction?


There are several other instances where your characters must talk, but this is where creativity comes in. Must they sound alike? Certainly not.

In fact, a simple exercise is this:

Pick up a page of a screenplay. Block the characters’ names with masking tape and try to guess who said what. If you are able to guess correctly, then you did a decent job creating each character’s style of talking. If not…


So how do we create distinct characters that don’t sound like they are about to sing you to sleep? Or worse, characters that make you cringe whenever they open their mouths.



It’s a healthy mixture of creativity + real life + character development.

Back to character development, guys.

More on this in my next episode.

If you have done any writing recently, please share in the comments section below. Otherwise, do share this article on social media.



1 Comment

  1. Awesome piece. I actually have a template questionnaire for every new character I create. Their background, personality traits help me help them not sound boring and sound alike. I tend ro also study people on purpose for the sole purpose of character creation.

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